you just add Reatune to the effects, run the track with the Reatune window open and a graph showing the whole sequence of notes appears showing time on the X axis and scale notes on the Y axis. This tool couldn't be simpler to use on single note sequences. Response time was set to 50ms and manually correction mode was enabled. Reatune (a free Reaper provided pitch correction tool) was used to manually correct 4 of the fiddle notes. The Zoom tracks were ported to Reaper to be combined with Piano and Drum parts. All mics were fed into a hybrid preamp then to a Zoom R24. Acoustic rhythm guitar was picked up by a condenser mic. Reverb on the electric guitar and fiddle parts was 50% Hall Of Fame stomp box set on "Church" and 50% the free stereo reverb Ambiance inside of Reaper. This amp is finally beginning to mellow and sound more like a vintage amp as it gets hours of use on it. I have found lately that uneven playing of my bass parts had been causing enormous peaks on my tracks that were robbing a lot of headroom from other tracks.įiddle was a 5 string electric played through a mic'd Fender Deluxe reverb re-issue using the left Bassman channel and I did compress it slightly. It was compressed and EQ'd using built in Reaper tools using again pretty standard guidelines. The bass was a Fender Precision run direct to console through a hybrid preamp. The kick drum and snare top and bottom were compressed and EQ'd using built in Reaper tools by applying a lot of the standard guidelines you see on drum compression tutorials. In that case I took a Rock midi pattern that buzzed the cymbals and switched the cymbals to open high hat the song's ending. I used EZDrummer Nashville midi pack the the drums with a a few fills from the stock Rock/Pop patterns for fills like on the end of the song. Here's a backing track I did for a vocal group in my church.
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